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Sarah Sargent
ALL ARTICLES
Lisa Beane uses “Karma” to address atrocities
Nine years ago I reviewed an exhibition at the Fralin Art Museum featuring the work of William Christenberry....
New show at Neal Guma lures with hyper-reality
According to Neal Guma, what unites the four photographers in his current show is an approach to photography that is...
Neal Guma gallery assembles a striking group show
With just five photographs on view, Neal Guma has assembled a richly satisfying show featuring some of the most...
Sonya Clark marks slavery history at Second Street Gallery
Sonya Clark’s “Bitter, Sweet and Tender,” currently on view at Second Street Gallery, features sculpture, textiles...
The Fralin explores iconography through Warhol’s eyes
In “Andy Warhol: Icons,” The Fralin Museum of Art at UVA brings together prints the Andy Warhol Foundation gave to...
Layers of emotion
Anne Slaughter has been a familiar presence on the Charlottesville art scene for many years, her oeuvre being most...
Kluge-Ruhe presents new works in renovated galleries
After an extensive renovation, the Kluge-Ruhe Aboriginal Art Collection has unveiled two new exhibitions in its...
Where the heart is
“We wanted something that looked like it came out of the mountain,” said the owner of a house that sits high on a...
LOOKbetween and “TREES” fill in for photo fest downtime
It’s that time of year again when dazzling photographs of exotic wildlife hang from the willow oaks running along the...
Earl Gordon’s mixed media collages are open to scrutiny
Art History Remix, now on view at the Jefferson School African American Heritage Center, presents 20 collages by Earl...
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