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Film review

Let’s answer your most pressing question about Obvious Child: Yes, Paul Simon’s song “Obvious Child” appears in the...

Film review

The most beguiling thing about Pawel Pawlikowski’s Ida is its look. Its cinematography, by Ryszard Lenczewksi and...

The Niche at UVA points...

The flat screen is unassuming—a 60″ monitor mounted to the wall in UVA’s Fiske Kimball Fine Arts Library. Surrounded...

Young filmmaker Sam Gorman...

It’s going to be an exciting summer at Light House Studio. The local youth filmmaking nonprofit’s website redesign is...

Album reviews

Wetwood Smokes Earth Tones & Red/Self-released This Southern California-based rock trio has released a gem of a...

Edge of Tomorrow succeeds...

It’s not unreasonable to imagine that Tom Cruise, perhaps the last of the old school movie stars, had lost it. He...

Jon Favreau’s Chef is...

Sometimes it’s nice to see a nice movie. “Nice” is a bad word—it’s usually reserved for people who are inoffensive...

Director John Johnson...

John Johnson doesn’t spook easy. An avid fan of all things macabre, the film director built his career on mauled...

Album reviews

Carrie Elkin & Danny Schmidt For Keeps/Red House Records Whether performing individually or as a duo, Carrie...

Film review

It just so happens that Adam Sandler once made good movies. More than once, even. There’s Billy Madison and Happy...