There may be no better time for The Wife than this moment, in which the role of the male genius whose achievements came at the expense of unrecognized or exploited women is under scrutiny. (A few months in the doghouse, it seems, is plenty of time for celebrated entertainers to atone for sexually assaulting or […]
There’s no one way to make a fact-based film, as 2018 has shown. From the satiric heights of The Death of Stalin to the self-parodic depths of Gotti, and with many major contenders to come (Bohemian Rhapsody, Beautiful Boy, Welcome To Marwen), all have different goals, from education, to poetic re-imaginings of familiar tales, to […]
