Ring true: Boxer Jack Johnson became the first African American world heavyweight champion, and at the height of the Jim Crow era he was “the most famous and the most notorious African American on Earth,” according to documentarian Ken Burns. Directed by multi-faceted artist and C-VILLE contributor Leslie Scott-Jones, The Royale, written by Marco Ramirez, […]
Hindsight is 1616: It’s a battle to save the legacy of William Shakespeare when the Bard’s mates go on a mad scramble to gather up his disparate writings in Lauren Gunderson’s The Book of Will. At the time of his death in 1616, Shakespeare was well-off and popular, but had his friends John Heminges and […]
When you think of teenage girls, what do you picture? Perhaps you think of your own fast-talking children or your experience in high school. Or maybe you default to cliques and clichés: prom queens and geeks, victims and villains. In its latest production, a Pulitzer Prize- nominated play by Sarah DeLappe called The Wolves, Live […]
In Seven Homeless Mammoths Wander New England, Dean Cindy Wreen is fed up with a lot of things: her tiny college’s financial difficulties, plans to close an obscure natural history museum, and monogamy, to name a few. While her New England town battles to save a historically inaccurate woolly [...]
By Leslie M. Scott-Jones Walking into the downstage theater at Live Arts, the sounds are familiar. Vocal warm-ups have begun, and musical director Kristen Baltes shouts from the balcony that this is “real life,” signaling to the actors to fill the space with their voices (not easy to do in that [...]
Ti Ames loves William Shakespeare. Or rather, Ames loves the plays of William Shakespeare. It’s a love that started when Ames played a fairy in The Tempest at Live Arts at age 9, and it grew when, at 16, Ames became the first black actor to win the English-Speaking Union National Shakespeare [...]
Imagine Romeo and Juliet in an urban, 1950s setting. You’re probably thinking of West Side Story—now replace that play’s tragic elements with absurdist comedy the way only John Waters could write it, and you get Cry-Baby: The Musical, a stage adaptation of the Waters rom-com. Featuring the [...]
In case you forgot why people still put on pants and leave the house in order to partake in live theater (as opposed to Netflix-ing their way to human-sized sinkholes on the couch), allow Live Arts’ production of Hand to God to spell it out for you. Full-frontal nudity! Cursing in church! Legit [...]
A stage representative of a beautifully cared for home lights up, as does the face of the youngest version of Alison Bechdel, played by Violet Craghead-Way, as she begins to sing. I had only heard about Fun Home. I had never seen it (or listened to the music). I walked into Live Arts’ [...]
Fun Home is a musical adapted from the autobiographical memoir of graphic artist Alison Bechdel, who chronicles her life from childhood to the present. When Bechdel’s father dies, she starts an introspective adventure, trying to make sense of their complicated and sometimes strained [...]
When I was a tween writing “X-Files” fan fiction, I never suspected my interest in storytelling would lead to an actual career as a writer. But then I enrolled in the creative writing program at a performing arts high school—and discovered my creative power. Dozens of local arts organizations [...]
The next time you use the Water Street and Second Street crosswalk, look in the Live Arts window. There’s a light on in the lobby—the theater’s ghost light. It’s small and casts yellow light from a transparent glass shade, and, according to superstition, keeps ghosts from haunting the theater [...]
This week Live Arts opens its season by inviting the public into an intimate theater in the round to observe the interior lives of family and friends in Edward Albee’s 1967 Pulitzer Prize-winning drama, A Delicate Balance. Director Fran Smith says it is an eloquent work that “centers around [...]
Adult identical twins Pip and Twig live an insular, codependent existence. Wearing identical pajamas, they wake in their shared bed at the same time every morning and eat identical breakfasts before going about their daily childlike, tandem routine, clothed in identical dress-and-sweater [...]
Told by a charismatic troupe of actors, Pippin is the story of a prince who desperately wants to impress his father, King Charles. The Leading Player convinces Pippin to betray the King instead, and his life goes hopelessly awry. Pippin dreams of love, family and a happy ending—but Leading [...]
Since 2003, Bree Luck has risen through the ranks at Live Arts—first as a volunteer, performing and directing, and then serving as education director. Most recently, Luck was the theater’s interim managing artistic director. This month, the Henry, Virginia, native—also a former Georgian, New [...]
Widely considered one of the greatest American plays of the 20th century, Arthur Miller’s Death of a Salesman was the first to hit the trifecta with a Tony Award, New York Drama Critics’ Circle Award and the Pulitzer Prize. The story centers around the broken dreams and despairing family of [...]
There’s something a bit off about The Realistic Joneses. “Maybe it’s me,” you think at first. You’re sitting so close to the middle-aged couple you’re practically on top of them. She’s talking about the beauty of the night air and the owl she can hear in the distance. He’s staring down at hands [...]
In a new book due out in August, In Search of Stardust: Amazing Micro-Meteorites and Their Terrestrial Imposters, Norwegian musician and amateur scientist Jon Larsen explains how it’s possible for anyone with a microscope to find cosmic debris. He estimates that more than 100 metric tons of [...]
The teenager-loaded cast and crew of Peter and the Starcatcher “keep the grown-ups on our toes and bring fantastic ideas” according Live Arts’ Bree Luck. The production wields credits for more than 45 community members and offers a special artistic collaboration between apprentice and mentor in [...]
“This play is not about my mother and me,” the character of Lisa insists at the beginning of Well. The play is, in fact, about Lisa and her mother, who cannot heal herself despite her extraordinary ability to heal a changing neighborhood. But Well is about many other things, too—the idea of [...]
Live Arts community theater will be going through a couple of changes in the next few months. The Live Arts Board of Directors announced this afternoon the resignations of Executive Director Matt Joslyn, who has been with the organization for six and a half years, and Artistic Director Julie [...]
Howard Pape spent his next-to-last day alive installing a real tree—upside down, so that its roots would be the branches—for the set he’d helped design for Live Arts’ upcoming production of To Kill a Mockingbird, according to director Fran Smith. Performing such formidable tasks for the [...]