Velveteen Rabbit Velveteen Rabbit (Hozac) Rising from the ashes of NYC power poppers The Jeanies, Velveteen Rabbit do up the ’70s glory days of glitter rock in a stripped-down way. They don’t try to match the theatrical majesty of Bowie and Roxy Music—especially vocally—but still they deliver plenty of exhilarating boogie via deliciously sleazy guitar […]
Allah-Las Las (Mexican Summer) On their fourth LP, L.A.’s Allah-Las don’t seem in any hurry to alter their psychedelic slacker twang. In fact, they don’t seem in any particular hurry at all; the baker’s dozen of songs lopes along with nary a hitch, everything a pleasant if slightly dulled blend of Beck and White Fence. […]
Lana Del Rey Norman Fucking Rockwell! (Universal) Lana Del Rey takes a turn at pillow- soft rock on NFR, the product of a partnership with Jack Antonoff—late of the annoyingly-named fun., and an erstwhile Taylor Swift and Lorde collaborator. The songs here are slow and subdued, dominated by patient piano—they’re well suited for Del Rey […]
Heron & Crane Firesides (Hibernator Gigs) Denizens of Charlottesville’s indie scene know Dave Gibson from power-pop exponents Borrowed Beams of Light and Weird Mob, plus synth soundscapers Personal Bandana. Here, Gibson and Columbus, Ohio, buddy Travis Kokas split the difference, with sweet [...]
Flying Lotus Flamagra (Warp) One of the most compelling post-Dilla beatmakers, Flying Lotus has collaborated with Kendrick Lamar and Kamasi Washington, among others, as his amorphous funk has spread throughout left-field R&B, hip-hop, and jazz. On Flamagra, FlyLo is abetted by fellow [...]
Resavoir Resavoir (International Anthem) It goes down smooth and it’s jazz, but it isn’t smooth jazz. Members of Chicago collective Resavoir have played with Chance the Rapper, Noname, and Mavis Staples, and the band maps a similar wholesomeness onto these nine pithy originals that don’t just [...]
Various artists Lullabies for Catatonics (Grapefruit) The U.K. rock scene’s initial response to LSD tended more towards pastoral reverie than paranoid fever dream (not having a Vietnam War helped). But psychic unraveling quickly followed, as chronicled on Lullabies for Catatonics, a [...]
Boogarins Sombrou Dúvida (LAB 344) Brazilian band Boogarins is back with more heady psychedelia, adding a little bap to the mix this time. If the Google translations are on point, Dinho Almeida is repeatedly counseling us to eschew tradition, explore life, embrace fear, etc. Ironically, his [...]
Lizzo Cuz I Love You (Atlantic) When Lizzo sends the title character of “Jerome” packing even though he “looks good on paper,” it summed up my feeling of listening to the sassy, up-with-me R&B of Cuz I Love You, as Lizzo’s righteous body positivity saturates the album and becomes didactic [...]
Budos Band V (Daptone) Pseudos Band? As part of the Daptone stable, Budos Band excels at dialing in various flavors—the collective has helped supply spot-on retro soul tracks for Sharon Jones and Lee Fields, and their own instrumentals have shown up on commercials, video games, and soundtracks [...]
Marvin Gaye You’re the Man (Universal) The follow-up that never was is finally here—and honestly probably sounds better now than it would have in 1972. You’re the Man could hardly have matched the gorgeously sighing melodies, elegant textures, and memorable aphorisms of What’s Going On, and [...]
Faux Ferocious Pretty Groovy (Burger) When this Tennessee quartet played a C’ville house party back in 2012, they absolutely tore it up—apologies if you were there and I yowled in your face about the spirit of rock and roll. Faux Ferocious kicks out punky jams and bluesy boogie grooves and is [...]
Cass McCombs Tip of the Sphere (ANTI-) The opener of Tip of the Sphere is an interesting mongrel—half Irish folk mantra, half space rock, and ending with three minutes of Jerry-Garcia-circa-1972 wah guitar. All of which sort of sets the tone for Cass McCombs’ latest. There’s easy loping folk on [...]
DAWN New Breed (Young Action) Danity Kane veteran Dawn Richard has forged a reputation as an R&B iconoclast, collaborating with Dirty Projectors and working on Adult Swim. Here she puts forth her NOLA roots with wizened old- people’s voices at the start of several songs—though New Breed [...]
Tallies S/T (Kanine) Tallies kicks off with a frosty amalgam of ‘80s and ‘90s atmospheric alt rock—the Bunnymen and The Cran- berries come to mind—and when “Mother” follows up somewhere halfway between The Smiths and The Go-Go’s, it becomes clear that the past is where Tallies live. Sarah [...]
Before 2018 completely disappears in our rear-view mirrors, here’s a recap of some box sets released last year that weren’t The Beatles’ White Album or Bob Dylan’s Blood on the Tracks box. Tom Petty An American Treasure (Reprise) In 1995 Tom Petty released the 6-CD Playback box, and, especially [...]
As always, there are too many albums I didn’t hear in 2018, but here are 10 favorites in roughly chronological order. Khruangbin Con Todo El Mundo (Dead Oceans) This was the runaway crowd pleaser of the winter, spring, and summer. Though they’re from Texas, Khruangbin’s hybridized funk invokes [...]
Ella Mai Ella Mai (10 Summers) Ella Mai declares emotion “a roller coaster” in a brief introductory snippet, spoken in a fetching British accent. And if her full-length debut feels kinda samey on the slow-to- midtempo tip, her lyrics do, as implied, dwell on romantic turmoil— mindfucks swirl [...]
Kurt Vile Bottle It In (Matador) Caveat: I was a big fan of Kurt Vile’s 2013 album Wakin on a Pretty Daze until I went to his show and watched him basically perform the album note for note. What was entrancing became plain boring, and it’s been hard to hear his subsequent stuff without [...]
Prince Piano & a Microphone 1983 (Warner Bros.) In case you somehow missed it, the first posthumous release from Prince’s storied vault is out—the mere fact of which gives a shiver, because what could be next, and then after that, ad infinitum in gloria? Meanwhile, there’s this album of [...]
Anna St. Louis If Only There Was a River (Woodsist) Woodsist calls this the “debut” of Kansas City native Anna St. Louis— odd, since they also released her First Songs full-length last year. Maybe they want us to grade her on the “beginner” scale, but the truth is that If Only There Was a River [...]
The Essex Green Hardly Electronic (Merge) I know I’m not alone in pronouncing this spring and summer a total bust—for every nice day, we’ve had a week of muggy, gloomy, rainy weather. Which gives The Essex Green’s Hardly Electronic both a wistful pang and a vicarious thrill, because the album’s [...]
Jim James Uniform Distortion (ATO) Jim James takes enough chances that I gotta pull for the guy— usually from a distance, but hey. Uniform Distortion’s 11 squalling tracks walk the line between garage rock and classic rock demos before landing in the latter camp—the tip off coming on “You Get [...]