Thankfully, 42 isn’t sanctimonious and Jackie isn’t sage-like. From the movie’s perspective, he’s just a boring guy who wants to play baseball. Jackie also knows that he has to be the coolest head on the field; Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) tells him as much.
Wonderful, Glorious attempts to continue this trend, but isn’t quite as successful. “Accident Prone”’s down-tempo guitars and Everett’s sedated, melodic vocals are beautifully unusual, and the way he channels Johnny Cash’s mumbling vocal on the dreamy guitar-driven ballad “On the Ropes,” is nothing short of eerie.
Melodic moments Ivan & Alyosha All the Times We Had/Dualtone Music Group It is fitting that this Seattle-based indie pop rock band is named after characters in a Dostoevsky novel where moral dilemmas, God, and free will are among the topics of debate because similar content is found in [...]
Forget that this story recalls not only Invasion of the Body Snatchers, but also Robert Heinlein’s The Puppet Masters and John W. Campbell’s Who Goes There?—better known to most people as Howard Hawks’ The Thing from Another World or John Carpenter’s The Thing. Because, really, this story is [...]
At Admission’s center is Tina Fey, who stretches beyond playing the straight man and being the butt of every other character’s jokes.
When Democratic gubernatorial candidate Terry McAuliffe visited Charlottesville last Wednesday, he meandered up and down the Downtown Mall with Delegate David Toscano, discussing the economy and promising to prioritize small businesses if elected. McAuliffe said he’s running on a platform of [...]
“It would be easy enough just to sit down and watch TV every night, but instead we work together on cool shit,” Dave Gibson said.
Behind the curtain: Oz the Great and Powerful is a playful take on the wizard’s rise In this day and age, when everything in life—movies, television, sporting events, you name it—seems rooted in money, a prequel to The Wizard of Oz feels like, perhaps, the most cynical of moneymaking schemes. [...]
Brian Palmer reviews the latest releases from On An On, Late Night Alumni, and The Lone Bellow.
There’s a story about “Jack and the Beanstalk” in which Jack trades a cow for some magic beans. He gets the beans wet, they grow into a beanstalk that reaches into the sky, and Jack and a rabbit battle a giant with a speech impediment who wants to grind their bones to make bread.
The use of tablets and laptops in middle and high schools has created controversy in Charlottesville city schools, but St. Anne’s-Belfield School French teacher Karine Boulle has reason to rave about iPads. After 17 sessions of intense writing, translating, and coding, Boulle’s class of eighth [...]
Brian Palmer reviews the latest releases from Fiction Family, Trixie Whitley and Sandra McCracken.
The trailers for Side Effects, director Steven Soderbergh’s new thriller, make it look like an indictment of all things pharmaceutical.
A New Yorker who studied drama at the NYU’s Tisch School of the Arts, Joe Jordan relocated to Charlottesville last year, after becoming increasingly upset about gentrification in New York. “I’m O.K. being an outsider,” he said. “But not in my own neighborhood.”
With Wolf’s Law, The Joy Formidable have released what may be one of the best rock albums of 2013. Between the epic rock, gorgeous melodies, swelling choruses, singer Ritzy Bryan’s pixieish and ethereal vocals convey all the dramatic sweep of a concept album that fulfills its promise.
What Warm Bodies has that most other zombie flicks don’t is the zombie’s story. Our narrator, R (Nicholas Hoult), is a zombie. He doesn’t know why he’s a zombie. He just knows he is. He also knows he’s different from most other zombies. He collects things, like vinyl records. He tries to make [...]
Non-sequitur alert: Now that the wretched Super Bowl is over, let’s discuss music documentaries. There are two reasons I’m thinking about music documentaries. First, 2012 was a great year for them. Searching for Sugar Man—which is nominated for an Academy Award for Best Documentary Feature—gets [...]
Jason Lappa and Jayson Whitehead hope to provide an outlet through the Bantam Theater, which opened in the Michie building’s Market Street courtyard, a space recently occupied by Club 216 (and before that, the original location of Live Arts).
Butch Vig has been associated with a number of alternative bands over the years, having produced Nirvana’s legendary Nevermind and the Smashing Pumpkins’ Gish, in addition to spending time as part of Garbage.
Here’s the deal. There are three key pieces of information that roll up in Broken City’s first three scenes: Billy Taggart (Wahlberg), a New York cop, shoots and kills a suspect he’s chasing; a judge decides the district attorney’s office doesn’t have sufficient evidence to bring charges [...]
In the awards show canon, the Golden Globes have secured themselves a lofty place just below Oscar. How is it that the Hollywood Foreign Press Association, which once called Pia Zadora “New Female Star of the Year” for her role in the soft-porny Butterfly, is now arbiter of taste and soothsayer [...]
I mention all this to give Les Misérables context in the annals of film history. Unlike Playing for Keeps, Les Misérables features a solid cast. Hugh Jackman, a man known for his acting and singing chops, is Jean Valjean, the hero we love.