Wonderful, Glorious attempts to continue this trend, but isn’t quite as successful. “Accident Prone”’s down-tempo guitars and Everett’s sedated, melodic vocals are beautifully unusual, and the way he channels Johnny Cash’s mumbling vocal on the dreamy guitar-driven ballad “On the Ropes,” is nothing short of eerie.
It’s spring, and you know what that means: A young man’s fancy turns lightly to thoughts of love. Tennyson doesn’t appear to have thought of the old men or women at all, so let’s assume they’re all thinking about baseball, or as I call it at home, love. Normally I wouldn’t put together a post […]
Melodic moments Ivan & Alyosha All the Times We Had/Dualtone Music Group It is fitting that this Seattle-based indie pop rock band is named after characters in a Dostoevsky novel where moral dilemmas, God, and free will are among the topics of debate because similar content is found in this record. “God or Man” talks […]
Forget that this story recalls not only Invasion of the Body Snatchers, but also Robert Heinlein’s The Puppet Masters and John W. Campbell’s Who Goes There?—better known to most people as Howard Hawks’ The Thing from Another World or John Carpenter’s The Thing. Because, really, this story is [...]
At Admission’s center is Tina Fey, who stretches beyond playing the straight man and being the butt of every other character’s jokes.
When Democratic gubernatorial candidate Terry McAuliffe visited Charlottesville last Wednesday, he meandered up and down the Downtown Mall with Delegate David Toscano, discussing the economy and promising to prioritize small businesses if elected. McAuliffe said he’s running on a platform of [...]
Magically funny: The Incredible Burt Wonderstone exceeds low expectations The advertisements for The Incredible Burt Wonderstone make it seem like it will be the least funny, most egregious, and patience-trying movie of Steve Carell’s career. A movie comedy about Las Vegas performers and street [...]
Behind the curtain: Oz the Great and Powerful is a playful take on the wizard’s rise In this day and age, when everything in life—movies, television, sporting events, you name it—seems rooted in money, a prequel to The Wizard of Oz feels like, perhaps, the most cynical of moneymaking schemes. [...]
Brian Palmer reviews the latest releases from On An On, Late Night Alumni, and The Lone Bellow.
There’s a story about “Jack and the Beanstalk” in which Jack trades a cow for some magic beans. He gets the beans wet, they grow into a beanstalk that reaches into the sky, and Jack and a rabbit battle a giant with a speech impediment who wants to grind their bones to make bread.
A loving married couple, Anne (Emmanuelle Riva) and Georges, (Jean-Louis Trintignant), both retired music teachers in their 80s, find their marriage taking a markedly different turn when Anne suffers a stroke. At first, Anne is able to retain something of her former self. She’s confined to a [...]
Brian Palmer reviews the latest releases from Fiction Family, Trixie Whitley and Sandra McCracken.
The trailers for Side Effects, director Steven Soderbergh’s new thriller, make it look like an indictment of all things pharmaceutical.
A New Yorker who studied drama at the NYU’s Tisch School of the Arts, Joe Jordan relocated to Charlottesville last year, after becoming increasingly upset about gentrification in New York. “I’m O.K. being an outsider,” he said. “But not in my own neighborhood.”
With Wolf’s Law, The Joy Formidable have released what may be one of the best rock albums of 2013. Between the epic rock, gorgeous melodies, swelling choruses, singer Ritzy Bryan’s pixieish and ethereal vocals convey all the dramatic sweep of a concept album that fulfills its promise.
What Warm Bodies has that most other zombie flicks don’t is the zombie’s story. Our narrator, R (Nicholas Hoult), is a zombie. He doesn’t know why he’s a zombie. He just knows he is. He also knows he’s different from most other zombies. He collects things, like vinyl records. He tries to make [...]
Non-sequitur alert: Now that the wretched Super Bowl is over, let’s discuss music documentaries. There are two reasons I’m thinking about music documentaries. First, 2012 was a great year for them. Searching for Sugar Man—which is nominated for an Academy Award for Best Documentary Feature—gets [...]
Is this movie a comedy? Horror? A—gasp!—drama? Why does Jeremy Renner play Hansel for laughs? Why does Gemma Arterton play Gretel straight, but occasionally for laughs? Why is Famke Janssen so, so, so serious? For that matter, why is she covered in hideous make-up for the most of the movie when [...]
Butch Vig has been associated with a number of alternative bands over the years, having produced Nirvana’s legendary Nevermind and the Smashing Pumpkins’ Gish, in addition to spending time as part of Garbage.
Here’s the deal. There are three key pieces of information that roll up in Broken City’s first three scenes: Billy Taggart (Wahlberg), a New York cop, shoots and kills a suspect he’s chasing; a judge decides the district attorney’s office doesn’t have sufficient evidence to bring charges [...]
The torture debate detracts from a different critical narrative; imagine how we’d howl if the movie whitewashed that part of America’s recent past. But forget the politics. This is a movie. As a piece of drama, Zero Dark Thirty is a marvel.
I mention all this to give Les Misérables context in the annals of film history. Unlike Playing for Keeps, Les Misérables features a solid cast. Hugh Jackman, a man known for his acting and singing chops, is Jean Valjean, the hero we love.
Every marketing firm and tourism board in the country is searching for social media’s magic bullet, and the Charlottesville Albemarle Convention & Visitors Bureau might have found it. With a small budget and a young social media coordinator’s instinctive touch, the CACVB’s Facebook page has [...]