Forget that this story recalls not only Invasion of the Body Snatchers, but also Robert Heinlein’s The Puppet Masters and John W. Campbell’s Who Goes There?—better known to most people as Howard Hawks’ The Thing from Another World or John Carpenter’s The Thing. Because, really, this story is about liking boys. And Jesus, sort of.
At Admission’s center is Tina Fey, who stretches beyond playing the straight man and being the butt of every other character’s jokes.
When Democratic gubernatorial candidate Terry McAuliffe visited Charlottesville last Wednesday, he meandered up and down the Downtown Mall with Delegate David Toscano, discussing the economy and promising to prioritize small businesses if elected. McAuliffe said he’s running on a platform of job creation and economic development, and wants to appeal to the entire political spectrum […]
Magically funny: The Incredible Burt Wonderstone exceeds low expectations The advertisements for The Incredible Burt Wonderstone make it seem like it will be the least funny, most egregious, and patience-trying movie of Steve Carell’s career. A movie comedy about Las Vegas performers and street [...]
“It would be easy enough just to sit down and watch TV every night, but instead we work together on cool shit,” Dave Gibson said.
Behind the curtain: Oz the Great and Powerful is a playful take on the wizard’s rise In this day and age, when everything in life—movies, television, sporting events, you name it—seems rooted in money, a prequel to The Wizard of Oz feels like, perhaps, the most cynical of moneymaking schemes. [...]
Brian Palmer reviews the latest releases from On An On, Late Night Alumni, and The Lone Bellow.
A loving married couple, Anne (Emmanuelle Riva) and Georges, (Jean-Louis Trintignant), both retired music teachers in their 80s, find their marriage taking a markedly different turn when Anne suffers a stroke. At first, Anne is able to retain something of her former self. She’s confined to a [...]
The use of tablets and laptops in middle and high schools has created controversy in Charlottesville city schools, but St. Anne’s-Belfield School French teacher Karine Boulle has reason to rave about iPads. After 17 sessions of intense writing, translating, and coding, Boulle’s class of eighth [...]
Brian Palmer reviews the latest releases from Fiction Family, Trixie Whitley and Sandra McCracken.
The trailers for Side Effects, director Steven Soderbergh’s new thriller, make it look like an indictment of all things pharmaceutical.
With Wolf’s Law, The Joy Formidable have released what may be one of the best rock albums of 2013. Between the epic rock, gorgeous melodies, swelling choruses, singer Ritzy Bryan’s pixieish and ethereal vocals convey all the dramatic sweep of a concept album that fulfills its promise.
What Warm Bodies has that most other zombie flicks don’t is the zombie’s story. Our narrator, R (Nicholas Hoult), is a zombie. He doesn’t know why he’s a zombie. He just knows he is. He also knows he’s different from most other zombies. He collects things, like vinyl records. He tries to make [...]
Non-sequitur alert: Now that the wretched Super Bowl is over, let’s discuss music documentaries. There are two reasons I’m thinking about music documentaries. First, 2012 was a great year for them. Searching for Sugar Man—which is nominated for an Academy Award for Best Documentary Feature—gets [...]
Is this movie a comedy? Horror? A—gasp!—drama? Why does Jeremy Renner play Hansel for laughs? Why does Gemma Arterton play Gretel straight, but occasionally for laughs? Why is Famke Janssen so, so, so serious? For that matter, why is she covered in hideous make-up for the most of the movie when [...]
Jason Lappa and Jayson Whitehead hope to provide an outlet through the Bantam Theater, which opened in the Michie building’s Market Street courtyard, a space recently occupied by Club 216 (and before that, the original location of Live Arts).
Butch Vig has been associated with a number of alternative bands over the years, having produced Nirvana’s legendary Nevermind and the Smashing Pumpkins’ Gish, in addition to spending time as part of Garbage.
Here’s the deal. There are three key pieces of information that roll up in Broken City’s first three scenes: Billy Taggart (Wahlberg), a New York cop, shoots and kills a suspect he’s chasing; a judge decides the district attorney’s office doesn’t have sufficient evidence to bring charges [...]
In the awards show canon, the Golden Globes have secured themselves a lofty place just below Oscar. How is it that the Hollywood Foreign Press Association, which once called Pia Zadora “New Female Star of the Year” for her role in the soft-porny Butterfly, is now arbiter of taste and soothsayer [...]
I mention all this to give Les Misérables context in the annals of film history. Unlike Playing for Keeps, Les Misérables features a solid cast. Hugh Jackman, a man known for his acting and singing chops, is Jean Valjean, the hero we love.
Every marketing firm and tourism board in the country is searching for social media’s magic bullet, and the Charlottesville Albemarle Convention & Visitors Bureau might have found it. With a small budget and a young social media coordinator’s instinctive touch, the CACVB’s Facebook page has [...]
In 2072, living bodies can be tracked. When they’re no longer living, the authorities are alerted. Pity the mafia, which faces the prospect of not killing anyone it wants killed. Luckily for future bad guys, there’s time travel. The mafia sends the poor souls it wants dispatched to the past. [...]
There was a time in the film industry when a movie was not wholly judged on its returns, when the merit of a film could be found in its effort to capture the spirit of an important moment in human history. They were called “epics,” they cost a lot of money, and they aren’t made […]