For the first time in weeks, my bike ride to work through Court Square didn’t take me past a row of satellite trucks. The Huguely trial is over and the verdict is in. In this week’s issue, J. Tobias Beard takes a crack at answering the question he set out to explore when he began his coverage: Why did we watch this particular tragedy so closely, when there are so many others playing out around us right now?
Is it Opposite Day? One entry in the Belmont Bridge Design Competition [“Bridge Builders,” February 14] took all the top awards. But, it designed no bridge. Here’s why.
The Belmont Bridge was falling down. We needed a solution.
I’m still relatively new to town. Most of the week I sit at a computer, like a carp sifting passively through a river of news and information, so I need weekends like this last one to remind me why I came here in the first place.
There’s a big trial happening up the street, a so-called media event, but life is still going on all around us. It makes you stop and think a little bit about what the news is. Should we write stories because we know people will read them or because they won’t ever get read unless we write them?
Brendan Fitzgerald’s article “Does anyone trust science anymore?” January 24, melds half-truths, undefined terminology, and under-critical reporting. The initial quote of Michael Mann, “hopefully every scientist…is a skeptic,” was hopeful. The next sentence has Mann revealing his own muddled bias as he elevates consensus to scientific fact, and then re-labels skepticism as denial.
We were standing in the Boston Common by the Park Street subway stop on a Saturday, and my friend, an old hippie, looked out at the green hill sloping up towards the State House and said, “I remember when you’d look up there and see people getting it on under blankets.”
I have a distinct memory of being a 14-year-old boy in 1989 watching an MTV video for the Public Enemy song “Black Steel in the Hour of Chaos” and having my father sit down next to me. I didn’t change the channel, because for some reason I wanted him to see it. He grew up in north Alabama in the ‘50s and eventually worked as a press secretary for a prominent Democratic member of Congress. When the video was over, he looked at me like the ground had ripped open between us and said something like, “Tough stuff.”
As a 21-year-old in 1963, Dylan sang “The Times They Are a A-Changin’” with Baez from the podium during the March on Washington for Jobs and Freedom, and later in that same year, receiving a civil rights award from the ACLU a month after Kennedy was assassinated, he thumbed his nose at the progressive establishment.
We are all acting out roles we’ve inherited, and we are all evaluated by an audience that understands us incompletely–– that’s the message Shakespeare taunts us with…
Last week we took a bit of a beating for running an issue about the future and featuring a number of young people, all of whom happened to be white. A couple of indignant readers pointed out that painting an all-white future of this city amounts to racism, and they demanded a response from the editor.
I usually write these columns on Monday mornings, the day we put the paper out, but because of the holiday I’m writing this one on Friday, which means it will be four days before you read it, with all of the events of the weekend between. I’m writing into the future.
Americans put a huge emphasis on sports. When I was 11, I missed a free throw to lose the Police Boys Club city championship game in Washington D.C. and cried my eyes out in front of 1,500 or so people.
I knew a political operative in Chicago, since moved on to D.C., who used to get upset by the way people misunderstood and then misused O’Neill’s analect. For this guy, the advice wasn’t a warning to limit the scope of campaign messages, it was a simple reminder that to win elections, you have to start with a base at home and build out from there.
When I was a kid growing up in D.C. in the mid-80s, there were bumper stickers around that read, “Don’t Fairfax Loudoun.” If you’ve spent any time in Northern Virginia over the past two decades, you’ll understand the futility of the position.
This Thanksgiving, don’t forget to say thanks. No, really. Because with the planes, trains, and automobiles on Wednesday, the turkey and football on Thursday, and the dawn frenzy of Black Friday, it may be hard to get a quiet minute, much less make the connection that we are celebrating the bounty of the American continent.
Since the Pew Research Center began unveiling a series of studies on income disparities in the U.S., I’ve been reading about the death of the American Dream.
I’ve been watching the Occupy movement with great interest. The bootstraps activism of the ‘60s is something I’ve always romanticized, on the one hand, and been haunted by, because I missed it.
I’ve always loved the movies, but I can’t remember the first one I fell for. Was it the trippy cartoon version of The Hobbit?
Food is the most direct connection between necessity and art in culture. Whether you are an Oglala who prizes a salted slice of raw kidney from a fresh kill, a Basque with a taste for reconstituted salt cod in pil pil sauce, or a Virginian with specific thoughts about Surry County ham, our cuisines show how we adapt and ultimately exalt the foods that keep us alive, and in the process create a shared identity.
I’ve led a pretty nomadic existence since my college graduation in 1997. In just under 15 years I’ve lived in 10 places––spending three months at the shortest stop, Eugene, and four years in the most permanent, Boston, where I still managed to bunk down in five different neighborhoods.
Growing up, we sang the Johnny Appleseed song before dinner. I don’t know where the tradition came from in our house. Since my mother was Catholic, I’d guess it came from my father’s side. Not that it makes a whole lot more sense theologically for Alabama Presbyterians to be singing a Swedenborgian anthem, but the hymn […]
Before I moved to Charlottesville, I already had a picture in my mind of the perfect place to live. It was a university town with a balance between culture and country.
Women and war I liked the intro to the Perspectives on 9/11 piece in the September 13-19 issue of C-VILLE, but was disappointed, though not surprised, to see that none of the perspectives offered came from women. It seems that the narrative C-VILLE wishes to perpetrate is one devoid of women’s experience. Pieces like this […]