According to Neal Guma, what unites the four photographers in his current show is an approach to photography that is painterly. While Ljubodrag Andric and Robert Polidori often seek out subjects that can look like paintings and play with our perception of them, Markus Brunetti and John Chiara use photography as a painter might paint, […]
With just five photographs on view, Neal Guma has assembled a richly satisfying show featuring some of the most interesting photographers working today at his new, eponymously named gallery on Third Street. While different in terms of style, approach and subject matter, the work is linked by a sense of mystery, foreboding and even danger. […]
Sonya Clark’s “Bitter, Sweet and Tender,” currently on view at Second Street Gallery, features sculpture, textiles and photography Clark has created, found or had fabricated. These objects limn a potent narrative encompassing Clark’s personal history and the troubled history of the U.S. and Caribbean centered on the use of people as commodities, examined through the […]
In “Andy Warhol: Icons,” The Fralin Museum of Art at UVA brings together prints the Andy Warhol Foundation gave to the museum in 2014, along with works from a number of loaned sources, to explore the concept of icon in both a traditional and contemporary sense. As one of the most prominent 20th century icons, […]
Anne Slaughter has been a familiar presence on the Charlottesville art scene for many years, her oeuvre being most notable for its heavily worked surfaces. Slaughter spends enormous effort on these, building them up with layers of pigment, “Many, many layers,” she emphasized. She’s constantly tinkering, applying paint and then sanding it down, reapplying paint […]
After an extensive renovation, the Kluge-Ruhe Aboriginal Art Collection has unveiled two new exhibitions in its redesigned galleries. “Art and Country,” on view for the next year, provides a crystallization of Aboriginal art through the framing of basic questions. The exhibition’s design will remain while the work will be rotated out yearly so that treasures […]
“We wanted something that looked like it came out of the mountain,” said the owner of a house that sits high on a ridge overlooking a 1,500-acre spread abutting Shenandoah National Park. Spectacular doesn’t begin to describe the unbroken 360-degree view of meadows, woods, and a glittering lake far below—nor the house, for that matter. […]
It’s that time of year again when dazzling photographs of exotic wildlife hang from the willow oaks running along the Downtown Mall. Dubbed “TREES,” the exhibition of large, double-sided images is the most visible and popular aspect of LOOK3, the nonprofit organization that celebrates the vision of extraordinary photographers, ignites critical conversations about the subjects […]
Art History Remix, now on view at the Jefferson School African American Heritage Center, presents 20 collages by Earl Gordon that are rich in meaning and contain lively dialogues between Western and African art, contemporary and traditional approaches, and drawn motifs and collage. Gordon’s work provides an interesting contemporary counterpoint to the Joseph Cornell show […]
Trisha Orr’s complex, tour de forces of fabric, objects, and flowers have earned high critical praise for many years. They are beautifully rendered, dispassionate works, and they reveal very little about the artist except that she is technically gifted and admires beauty. Growing up in a demanding family and going to art school in the […]
A rich and deeply satisfying show, “Joseph Cornell and Surrealism” at the Fralin Museum explores Cornell’s work in the context of the Surrealist movement of the 1930s and ’40s. Prior to seeing it, I had the common, yet incorrect impression, that Cornell was a hermit-like creature akin to Henry Darger who created his work in […]
Now in his eighties, America’s greatest living artist, Jasper Johns, is still recognized as the vanguard who ignored convention to create a new, galvanizing style that brilliantly reflected the spirit and mores of its time. Johns’ far-reaching influence can be discerned in Pop Art, minimalism, and conceptual art movements and it continues to resound in […]
“These paintings are so raw; they’re so far from anything I’ve ever done before,” said Lisa Beane about her show “Chapters,” now on view at The Jefferson School African American Cultural Heritage Center through March 30. Beane is a Los Angeles-based artist. But for many years she lived in Charlottesville, while raising her daughter Leslie […]
The “Dean Dass: New Paintings and Works on Paper” exhibition on view at Les Yeux du Monde offers the double pleasure of Dass’ luscious landscapes paired with his more mystical media-rich works on paper. A professor of printmaking at UVA, Dass took up landscape painting in 1994 while on sabbatical in New Hampshire. He was […]
I was completely captivated by Millicent Young’s radiant show at Chroma Projects. Composed of horsehair and found wood, Young’s work thrums with nature and speaks to ancient mysteries that our modern selves can only dimly grasp. “The known, the unknown, and the unknowable is a trinity that has been with me a very long time,” […]
If you’ve been in the vicinity of the Ruth Caplin Theatre and the Arts Commons at UVA, you’ve no doubt noticed some unusual activity in the bowl-shaped area between the buildings. Renowned installation artist Patrick Dougherty, together with a group of community and UVA volunteers, is hard at work weaving a sculpture made from locally harvested […]
Born in 1878 in the town of Saint-Étienne near Lyon, France, Émilie Charmy was groomed for the proper profession of teaching. But Charmy, whom I had never heard of before the Fralin show, had other ideas, taking up painting instead. Initially, she focused on traditional scenes of domestic life in an Impressionist style. But, she […]
Ansel Adams’ photography is one of those things that’s easy to dismiss because we’ve seen so much of it reproduced in calendars, outsize posters, and the like. But after spending time with the actual photographs now on view at UVA’s Fralin Museum in “Ansel Adams: A Legacy” through October 13, I rediscovered the magic in […]
Chroma Projects’ current featured artist, Dymph de Wild, works in a variety of media (drawing, printmaking, photography, video, performance, sculpture), juggling different approaches and moving from the randomness and spontaneity of her sculptures to more restrained and controlled works on paper. Her balancing act, “In the Field, Humanature, & Elemental Encounter,” is on view through […]
The Jefferson School African American Heritage Center encapsulates the seminal role played by the quest for and the denial of public education in the history of African-Americans. Promoted by Thomas Jefferson as key to the success of democracy, education was denied to black people in Southern states between 1800 and 1835. Despite this, African-Americans managed […]
If you’re in need of an instant mood-elevator, I suggest you head straight over to the McGuffey Art Center where dazzling light and vibrant color (and some pretty nifty painting) is on full display at a group show featuring the work of Karen Blair, Jessie Coles, Priscilla Long Whitlock, and Krista Townsend. Still lifes, landscape, […]
One of America’s great art connoisseurs and patrons, Paul Mellon was quoted as saying that he and his wife “almost never buy a painting or drawing we would not want to live with or see constantly.” Having cut his teeth on father Andrew Mellon’s renowned art collection (which formed the nucleus of the National Gallery of Art), Paul Mellon was graced with an extraordinarily refined eye.
Frederick and Lucy S. Herman began collecting drawings as college students, and over the ensuing 50 years amassed a considerable collection of more than 250 works on paper that showcase the myriad techniques and approaches within the field.
Gallery director, Lyn Warren said: “It’s very easy to enter Anne’s prints from different points. You can come at them from the standpoint of subject, concept, or visually. The more you look, the more you see.”
The butterfly of “Becoming the Butterfly,” The Fralin Museum’s current exhibition of etchings and lithographs by James Abbott McNeill Whistler refers to the stylized butterfly that Whistler used to sign his work and the exhibition.
Bradley Stevens works in oil because of its slow drying time, which allows him to manipulate it, softening it and blending it.
“Jean Hélion: Reality and Abstraction,” currently on view at UVA’s Fralin Museum of Art presents a small, yet rich collection of this under-appreciated artist’s work. The eight paintings and numerous works on paper are both handsome works of art and revealing souvenirs from Hélion’s artistic journey “through and then away from abstract art.” Curated by […]